Barakat Gallery
Skip to main content
  • Menu
  • Home
  • Artworks
  • Exhibitions
  • About
  • Contact
Menu
  • Menu

The Barakat Collection

Open a larger version of the following image in a popup: Indonesian Basalt Sculpture of Nandi, 16th Century CE - 18th Century CE

Indonesian Basalt Sculpture of Nandi, 16th Century CE - 18th Century CE

Basalt
26 x 19
X.0587
Enquire
%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EIndonesian%20Basalt%20Sculpture%20of%20Nandi%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E16th%20Century%20CE%20%20-%20%2018th%20Century%20CE%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EBasalt%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E26%20x%2019%3C/div%3E
Nandi the bull-calf is the mount or vehicle of Lord Shiva. As Shiva’s most devoted disciple, his image is often placed directly opposite Shiva’s shrine in Hindu temples. Regularly honoured...
Read more
Nandi the bull-calf is the mount or vehicle of Lord Shiva. As Shiva’s most devoted disciple, his image is often placed directly opposite Shiva’s shrine in Hindu temples. Regularly honoured by worshippers with offerings of flowers and incense, sculptures of Nandi are often touched in the hope that devotees will be able to imitate the strength of his devotion to Shiva. It is not known when these two deities first came to be associated but there is a long history of devotion to bulls in Asia. The early civilisation of the Indus Valley in particular (c. 3000-2000 BC) clearly held the bull in high veneration- producing images in stone and terracotta. In Sanskrit Nandi means ‘joyfulness’ or ‘He who gives joy.’ This refers to the emotions experienced by the devotee in the presence of Shiva.

Carved from the volcanic rock basalt, this magnificent sculpture is full of character. The bull is depicted in a recumbent pose, with his legs tucked beneath the body. Seated on an ornately carved lotus pedestal, the bull has his head twisted back, looking over his shoulder. It is possible that this sculpture was positioned in the gateway of a temple dedicated to Shiva and that Nandi’s gaze directed the worshippers to the main shrine. The expression is friendly and the mouth is slightly parted with the hint of a smile. A wide string of bells/beads is hung around the neck, carved in high relief. A lightly incised rectangular cloth is draped across the back with what appears to be an open lotus flower above. The relaxed pose is reinforced by the playful way in which the tail is draped over the back. This is a charming and well-executed piece that will appeal to all serious collectors of Asian art. (AM)
Close full details
Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Previous
|
Next
18775 
of  28197

London

48 Albemarle Street,

London, W1S 4JW

info@barakatgallery.eu 

 

       


 

CONTACT | TEAM | PRESS 

 

Seoul
58-4, Samcheong-ro,
Jongno-gu, Seoul
+82 02 730 1949
barakat@barakat.kr
             

 

Los Angeles

941 N La Cienega Blvd
Los Angeles CA 90069
+1 310 859 8408

contact@barakatgallery.com

  


 

 

Facebook, opens in a new tab.
Instagram, opens in a new tab.
Send an email
View on Google Maps
Manage cookies
Copyright © 2025 Barakat Gallery
Site by Artlogic


Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Join our mailing list

Sign Up

* denotes required fields