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Open a larger version of the following image in a popup: Ming Wooden Sculpture of Arhat Asita, 1368 CE - 1644 CE
Open a larger version of the following image in a popup: Ming Wooden Sculpture of Arhat Asita, 1368 CE - 1644 CE
Open a larger version of the following image in a popup: Ming Wooden Sculpture of Arhat Asita, 1368 CE - 1644 CE
Open a larger version of the following image in a popup: Ming Wooden Sculpture of Arhat Asita, 1368 CE - 1644 CE

Ming Wooden Sculpture of Arhat Asita, 1368 CE - 1644 CE

Wood
109.2 x 68.6 cm
43 x 27 in
HK.2027
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This is a wooden sculpture of Asita, one of the sixteen Arhats who were disciples of Buddha Shakyamuni. With distinctive white long eyebrows, he is conventionally depicted as the oldest...
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This is a wooden sculpture of Asita, one of the sixteen Arhats who were disciples of Buddha Shakyamuni. With distinctive white long eyebrows, he is conventionally depicted as the oldest Arhat. In this sculpture, Asita is seated in relaxed posture, holding his eyebrow in his right hand. The bump on his forehead symbolises wisdom, pertaining to his status as an Arhat. His robe is delicately depicted, as reflected by the realistic folds.

Asita in Sanskrit means incomparably proper, or of correct proportions in spirit and physique. According to legend, Asita was born with two long white eyebrows. The story was that in his previous life he was a monk who, though having tried very hard yet could not attain enlightenment even at a ripe old age and had only two long white eyebrows left. In Asita’s next life, his father was told that Shakyamuni Buddha also has two long eyebrows, therefore his son had the look of the Buddha in him. As a result, Asita was sent away to a monastery to become a monk, eventually attaining enlightenment.

The artistic style of this sculpture resembles that of Mid-Ming period. During the Yongle and Xuande era, Buddhist figures had a relatively slender and less bulky physique, as this Asita Arhat sculpture demonstrates. The sculpture has reasonable traces of aging, while hints of gold paint are marginally visible.
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London

48 Albemarle Street,

London, W1S 4JW

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