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Open a larger version of the following image in a popup: Hellenistic Bronze Sculpture of an Actor/Priapus, 200 BCE - 100 CE
Open a larger version of the following image in a popup: Hellenistic Bronze Sculpture of an Actor/Priapus, 200 BCE - 100 CE
Open a larger version of the following image in a popup: Hellenistic Bronze Sculpture of an Actor/Priapus, 200 BCE - 100 CE
Open a larger version of the following image in a popup: Hellenistic Bronze Sculpture of an Actor/Priapus, 200 BCE - 100 CE

Hellenistic Bronze Sculpture of an Actor/Priapus, 200 BCE - 100 CE

Bronze
4.125
FZ.355
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We cannot know for sure whether this actor played in the tragedies of Sophocles or the comedies of Aristophanes. He gazes downward with silver inlaid eyes in a somber and...
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We cannot know for sure whether this actor played in the tragedies of Sophocles or the comedies of Aristophanes. He gazes downward with silver inlaid eyes in a somber and pensive expression, suggesting he was more likely a tragic actor. However, there is something comical about his stance. His arms rest at his hips as he extends his belly forward while leaning back. His lower half is completely exposed, a fact that can be interpreted as dually tragic and comic. His head is bare save for a single wavy lock of hair at the back called a cirrus. Actors first emerged in their own right when a solitary character was separated from the chorus, a technique credited to Greek playwright and poet Thespis. The actor then communicated individually with the audience through monologues or engaged in dialogues with the leader of the chorus. Today, this figure appears before us and grabs our attention as if he was still in front of the audience in an ancient amphitheatre.
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15033 
of  28197

London

48 Albemarle Street,

London, W1S 4JW

info@barakatgallery.eu 

 

       


 

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