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Open a larger version of the following image in a popup: Pre-Columbian Art / Olmecoid / Olmecoid Sculpture of an Acrobat, 900 BCE - 500 CE

Pre-Columbian Art / Olmecoid / Olmecoid Sculpture of an Acrobat, 900 BCE - 500 CE

Terracotta
2.5
PF.5726
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This diminutive sculpture would fit right at home in any carnival or circus. Just imagine him curling into a ball. Needless to say, contortionists fascinated and amused the ancient Pre-Columbian...
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This diminutive sculpture would fit right at home in any carnival or circus. Just imagine him curling into a ball. Needless to say, contortionists fascinated and amused the ancient Pre-Columbian natives of Mexico as much as they entertain us today. However, this sculpture might have a greater significance than pure entertainment. Perhaps, this figure might be the representation of a shaman in a trance. Possibly as well, although less likely, this might be a depiction of a captured prisoner who has been hogtied. Regardless of who it might represent, the craftsmanship of this sculpture is remarkable. The strain of the bodily contortions is clearly visible in the neck and upper torso of the body. We can really see the pain and discomfort of the figure’s disjointed shoulders in his face. His mouth is open slightly as he grinds his teeth in agony. His eyes as well are tightly clenched and his eyebrows slant inwards. Also noteworthy is the carving of the acrobat’s hands and feet. Individual fingers and toes have been indicated by the marks carved into the ends of his limbs. For such a small work, so much energy and tremendous effort have been thoroughly conveyed. Whether this work represents a contortionist or a slave can be argued. Yet, there is no doubt about the spectacular artistic achievement, and acrobatic feat, this sculpture represents.
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