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Open a larger version of the following image in a popup: Terracotta Sculpture of a Head, 200 BCE - 200 CE
Open a larger version of the following image in a popup: Terracotta Sculpture of a Head, 200 BCE - 200 CE

Terracotta Sculpture of a Head, 200 BCE - 200 CE

Terracotta
P.1274
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Since the dawn of time, man has offered votives to win the benign favor of his gods. Sometimes these were perishable gifts of food, or wine, or livestock. At other...
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Since the dawn of time, man has offered votives to win the benign favor of his gods. Sometimes these were perishable gifts of food, or wine, or livestock. At other times they were figures of stone, metal, or clay--votives of a more enduring nature. The art of the sculpted clay votive reached its peak in the Hellenistic age, when the artistic influence of Classical Greece spread throughout the Mediterranean and Near East. In and around Alexandria--where the Olympian gods were mixed freely with those of ancient Egypt--the temples were filled to overflowing with lively depictions of deities, royalty, and ordinary folk. As gifts to the gods, these could not be destroyed, so periodically the votives were buried in pits to make room for new offerings. When we look upon their features today--sometimes agelessly beautiful, divine, regal or aloof, sometimes comic or infinitely wise--we come face to face with the human past.
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15017 
of  28197

London

48 Albemarle Street,

London, W1S 4JW

info@barakatgallery.eu 

 

       


 

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