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The Barakat Collection

Open a larger version of the following image in a popup: Terracotta Trophy Head, 500 CE - 1000 CE
Open a larger version of the following image in a popup: Terracotta Trophy Head, 500 CE - 1000 CE

Terracotta Trophy Head, 500 CE - 1000 CE

Terracotta
PF.3522
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%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ETerracotta%20Trophy%20Head%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E500%20CE%20%20-%20%201000%20CE%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ETerracotta%3C/div%3E

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Human head effigies, both male and female, were produced throughout most of Costa Rica's artistic output. They usually serve as a functional object and a cult related symbol. Such ceramics...
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Human head effigies, both male and female, were produced throughout most of Costa Rica's artistic output. They usually serve as a functional object and a cult related symbol. Such ceramics as this one were of such a high quality only the wealthy elite could afford them. They may have served as funerary furnishings or as household goods. Early polychromatic ceramics are characterized by a tan slip painted with red and black. This handsome vessel shows a finely painted human face, probably male, with intensely staring eyes, simply depicted teeth and two 'winged' extensions in red on either side of the mouth, which may represent speech scrolls. This design of a solid bar fanning out into two points is repeated below the eyes and above the eye brows, thus completing the facial decoration. The face may represent a shaman/priest of one of the jaguar-crocodile cults which proliferated in Mesoamerica. The artist here uses clever touches of detail, such as the black swirls to give the face and entire vessel an expressive and dramatic appearance.
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London

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