Ceramics of Period IV often display strong sculptural qualities and an elegance of line. These early pieces are monochrome and seem to have served as cult objects. This attractive sculpture depicts an individual, either male or female, in a seated pose common among its type. The wide spread legs and hands placed firmly on thighs may have been a posture adopted by shamans during trances. This position incidentally provides a convenient structural balance, and is aesthetically pleasing. The expression on the face has a meditative appearance, further encouraging the idea of it being a ritual object. The eyes are carefully incised, yet missing details of the pupils, which gives them a far-away look. Whether the spout was intended as an opening for liquids, or as a holder is uncertain. The simple refinement and graceful pose has the effect of heightening the vessel's mystery, and allows our imagination to wander back to the early life of Ancient Costa Rica.