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The Barakat Collection

Open a larger version of the following image in a popup: Apulian Red-Figure Bell Krater, 400 BCE - 300 BCE

Apulian Red-Figure Bell Krater, 400 BCE - 300 BCE

Terracotta
11.25
AM.0021
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%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EApulian%20Red-Figure%20Bell%20Krater%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E400%20BCE%20%20-%20%20300%20BCE%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ETerracotta%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E11.25%3C/div%3E
The wide-mouthed bell krater was designed for mixing wine with water. This superb vessel may have been utilised at a symposium, or drinking party, an occasion for philosophical discussion as...
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The wide-mouthed bell krater was designed for mixing wine with water. This superb vessel may have been utilised at a symposium, or drinking party, an occasion for philosophical discussion as well as drinking and music.
The obverse depicts a naked male who glances back over his shoulder towards a draped female. The male holds a thyrsus in his outstretched right hand and what appears to be a full basket in a movement of gesture towards the female. A chlamys draped over the figure’s left arm billows in the direction of his left leg. The fabric is aligned with the X-shaped composition of the male’s body ensuring full use of the field is made. The standing female holds a thyrsus in her left hand and bunches of grapes and ivy in her right. Her hair is arranged high on her head, beneath a sakkos. The field is further embellished with ivy leaves. The figures are flanked by a palmette design and surmounted by a laurel motif around the rim and a meander design towards the base.

The reverse shows two young draped males facing one another yet separated by a palmette design. The figure on the viewer’s right holds a staff in his right hand. The palmette design appears again on either side of the figures and there are tongues around the handles.
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