Barakat Gallery
Skip to main content
  • Menu
  • Home
  • Artworks
  • Exhibitions
  • About
  • Contact
Menu
  • Menu

The Barakat Collection

Open a larger version of the following image in a popup: Ife Style Terracotta Bust, 20th Century CE

Ife Style Terracotta Bust, 20th Century CE

Terracotta
14 x 22
CK.0439
Enquire
%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EIfe%20Style%20Terracotta%20Bust%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E20th%20Century%20CE%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ETerracotta%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E14%20x%2022%3C/div%3E
The region of Ife in Nigeria has become known for the naturalism of its art in comparison to the stylized art of other African regions. The area also produced terracotta...
Read more
The region of Ife in Nigeria has become known for the naturalism of its art in comparison to the stylized art of other African regions. The area also produced terracotta sculptures and works in ivory, clay, wood, bronze, and even in quartz. The Yoruba tribe regarded Ife as their place of origin as told in the creation myths. The craftsmanship of Ife was later passed on to the kingdom of Benin, which being closer to the sea was better known to early European travelers. The later history of Ife is not yet well documented except for the beautiful bronze busts of kings.

This beautifully sculpted terracotta bust of a young nobleman or king is a perfect example of the talented craftsmanship of the area of Ife in Nigeria. His facial expression is one of serenity and confidence, both in himself and in his surroundings. In both hands, he holds two objects that symbolise control and power. He also wears a crown, emphasizing his rank in society.

His neck and chest are draped in traditional jewelry. The vertical carving of the face, emulates the tribal scaring he would have received. The fact that the sculpture is made of metal rather than wood emphasizes its value and the young man's importance as well. The back of the sculpture remains simple, suggesting that the sculpture was meant to be seen frontally and not necessarily in the round.
Close full details
Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Previous
|
Next
12678 
of  28197

London

48 Albemarle Street,

London, W1S 4JW

info@barakatgallery.eu 

 

       


 

CONTACT | TEAM | PRESS 

 

Seoul
58-4, Samcheong-ro,
Jongno-gu, Seoul
+82 02 730 1949
barakat@barakat.kr
             

 

Los Angeles

941 N La Cienega Blvd
Los Angeles CA 90069
+1 310 859 8408

contact@barakatgallery.com

  


 

 

Facebook, opens in a new tab.
Instagram, opens in a new tab.
Send an email
View on Google Maps
Manage cookies
Copyright © 2025 Barakat Gallery
Site by Artlogic


Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Join our mailing list

Sign Up

* denotes required fields