Qing dynasty libation cup, 1644-1912 CE
Glass
height 7.6 cm
height 3 in
height 3 in
ES.8184
This graceful example of a Chinese cast glass libation cup was made in the shape of a dragon, in imitation of carved rock-crystal. Chinese dragon is associated with power, good...
This graceful example of a Chinese cast glass libation cup was made in the shape of a dragon, in imitation of carved rock-crystal. Chinese dragon is associated with power, good luck and strength. Of handsome proportions, the dragon is modelled on the front of the cup, with the wings holding the hollow cup. Other decorations include geometric motifs beautifully impressed on the glass body. The detailed decoration of this piece reflects the skills of its maker. Almost identical vessels were made also in other materials during the Ming/ Qing Dynasty, notably jade.
The piece is in very good conditions with all the decoration visible and intact.
In the Qing dynasty (1644-1912) glassmaking witnessed a big revival, probably a result of the imperial support, as many ateliers which were working specifically for the palace were established. to The creation of these imperial workshops and their openness towards the introduction of western techniques, lead to the flourishing of Chinese glassmaking. Qing glass production was marked by enthusiastic support from the emperor, princes, and high officials and glass objects like the ones presented here were luxury articles. In the Kangxi period (1661-1722, the third emperor of the Qing dynasty) glass imitation of gems reached its peak, with clear glass used in place of rock crystal. Rock crystal was a material treasured by the Chinese people in the same way as they treasured jade and was a symbol of purity.
The piece is in very good conditions with all the decoration visible and intact.
In the Qing dynasty (1644-1912) glassmaking witnessed a big revival, probably a result of the imperial support, as many ateliers which were working specifically for the palace were established. to The creation of these imperial workshops and their openness towards the introduction of western techniques, lead to the flourishing of Chinese glassmaking. Qing glass production was marked by enthusiastic support from the emperor, princes, and high officials and glass objects like the ones presented here were luxury articles. In the Kangxi period (1661-1722, the third emperor of the Qing dynasty) glass imitation of gems reached its peak, with clear glass used in place of rock crystal. Rock crystal was a material treasured by the Chinese people in the same way as they treasured jade and was a symbol of purity.