This granite bust is an excellent example of a Tang dynasty representation of the Buddha. The high eyebrows and calm expression are typical facial features which convey the sense of inner peace achieved by the Buddha upon reaching enlightenment. The top of the head is covered with the typical tight curls associated with the Buddha, and the bump known as the ushnisha (a protuberance on the top of the head which is one of the Buddha’s key characteristics and which symbolises his enlightenment) is subtly indicated underneath. The figure’s clothing appears to be many-layered, and is open over his chest. Another feature associated with the Buddha is extended earlobes, which can be seen here along with indications of large holes. Within East Asian belief, particularly Buddhism, large ears are seen as a sign of wisdom and compassion. The Buddha is often depicted with elongated ears to symbolise his ability to hear the cries of those who are suffering, and his sympathy and willingness to help ease their pain. It is therefore a comforting image, as it reminds those who see it that there is hope for an end to their sufferings through the search for enlightenment and the compassion of those who have reached it. Also visible on this example is a circular dot on the figure’s forehead. This is known as an urna, and is one of the 32 physical characteristics of the Buddha. It is usually thought to be a whorl of hair, but it also symbolises a third eye, a representation of enhanced vision beyond our physical universe and into the realm of the divine. This figure is also wearing elegant robes, with decorated edges.