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Open a larger version of the following image in a popup: Olmec Jade Figurine, c.900-700 BCE

Olmec Jade Figurine, c.900-700 BCE

Jade
height 8.5 cm
height 3 3/8 in
EL.0069
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This standing figure is made of jade, a material that was highly valued for its colour and translucent appearance. The fact that the only source in ancient Mesoamerica was the...
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This standing figure is made of jade, a material that was highly valued for its colour and translucent appearance. The fact that the only source in ancient Mesoamerica was the Motagua River valley, in eastern Guatemala, and therefore it would have been necessary to transport it a considerable distance in order to use it for Olmec objects, would have added to the prestige of artworks made from this material. The body of the figure is characterised by short legs, broad shoulders, a small torso, and a large rectangular head, giving it an inhuman appearance. The profile of the figure is flat and the facial features do not protrude from the surface. Incised lines define the knees, elbows, pectoral muscles, and chin, and show that the figure’s hands are clenched into fists. The figure has furrowed eyebrows over narrowed eyes, with a triangular nose and a downturned mouth with drilled circles at the corners. The posture and facial expression give this figure a ferocious appearance. The faces of Olmec figures often possess frowning expressions and downturned mouths, usually with thick lips. These features have gained an association with a theorised supernatural entity known as a ‘were-jaguar’. As one of the primary predators in Mesoamerica, the jaguar would have been respected as well as feared in Olmec culture. In the mid-20th century, a theory arose that the were-jaguar motif originated from a mythical story of copulation between a jaguar and a human woman; this theory was based on some fragmentary monuments which could be interpreted as representations of this event. However, it is not universally agreed that this is what the monuments depict, and some scholars think that we ought to question whether the motif is even actually related to the jaguar; other explanations have been put forth for the combination of facial features, such as genetic abnormalities or a connection with a native species of toad. Whatever the original significance of the motif, this sculpture is a beautiful example of how it was used within Olmec artwork. The mottled stone contains different shades of darker and lighter greens, as well as some patches which are close to orange.

The Olmec civilisation was one of the earliest civilisations in Mesoamerica, lasting from around 1600 to 400 BCE, and it was based in the modern-day Mexican states of Veracruz and Tabasco, on the coast of the Gulf of Mexico. They are thought to have invented several Mesoamerican traditions such as bloodletting and the Mesoamerican ballgame, as well as possibly the Mesoamerican calendar, zero, and popcorn. Their first important centre was in San Lorenzo Tenochtitlán, and after that it appears to have moved to La Venta. The region provided many advantages for a burgeoning civilisation, such as alluvial soil which can be highly fertile, and access to the Coatzacoalcos River basin, which offered opportunities for transportation. The dense population which formed in this area is thought to have led to the rise of an elite group, creating demand for luxury items made of high-value materials which came to characterise Olmec culture.
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