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Open a larger version of the following image in a popup: Sumerian Cuneiform Tablet, 2035 BCE

Sumerian Cuneiform Tablet, 2035 BCE

Clay
1.69 x 2.24
CT.017
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%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ESumerian%20Cuneiform%20Tablet%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2035%20BCE%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EClay%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E1.69%20x%202.24%3C/div%3E
Sumerian cuneiform is one of the earliest known forms of written expression. First appearing in the 4th millennium BC in what is now Iraq, it was dubbed cuneiform (‘wedge-shaped’) because...
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Sumerian cuneiform is one of the earliest known forms of written expression. First appearing in the 4th millennium BC in what is now Iraq, it was dubbed cuneiform (‘wedge-shaped’) because of the distinctive wedge form of the letters, created by pressing a reed stylus into wet clay. Early Sumerian writings were essentially pictograms, which became simplified in the early and mid 3rd millennium BC to a series of strokes, along with a commensurate reduction in the number of discrete used (from c.1500 to 600). The script system had a very long life and was used by the Sumerians as well as numerous later groups – notably the Assyrians, Elamites, Akkadians and Hittites – for around three thousand years. Certain signs and phonetic standards live on in modern languages of Middle and Far East, but the writing system is essentially extinct. It was therefore cause for great excitement when the ‘code’ of ancient cuneiform was cracked by a group of English, French and German Assyriologists and philologists in the mid 19th century AD. This opened up a vital source of information about these ancient groups that could not have been obtained in any other way.

Cuneiform was used on monuments dedicated to heroic – and usually royal – individuals, but perhaps its most important function was that of record keeping. The palace-based society at Ur and other large urban centres was accompanied by a remarkably complex and multifaceted bureaucracy, which was run by professional administrators and a priestly class, all of whom were answerable to central control. Most of what we know about the way the culture was run and administered comes from the cuneiform tablets, which record the everyday running of the temple and palaces complexes in minute detail, as in the present case. The Barakat Gallery has secured the services of Professor Lambert (University of Birmingham), a renowned expert in the decipherment and translation of cuneiform, to examine and process the information on these tablets. The following is a transcription of his analysis of this tablet:

This is a small tablet beautifully written by a professional scribe and saved for the beginnings of a few lines on the reverse, it is in very good condition. It is dated to the 9th month of the 3rd year of Shu-Sin, the fourth king of the Third Dynasty of Ur, c. 2035 BC. It is an administrative document about the transfer of three serfs to a new ‘owner’. Some of the expressions are so far not fully understood.

Translation:

Ubarrum, soldier, son of Ilum-bani.

Ur-Dumuzi, son of Nuhilum.

Shu-Ninshubur, son of Bubu:- they were not taken . . . . . . . . in accordance with Adallal the equerry:

three serfs, not taken. They were inspected and delivered. Adallal the equerry took them, via Ur-mes, the city governor.
Month: Festival of Lisin.
Year: Simanum was destroyed.

Serfs were chattel slaves, but were tied to their jobs though free in other ways.
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