Among the Yoruba the wearing of beaded objects is the prerogative of kings and high ranking priests. Complex images and symbols on various articles of beaded clothing serve as a visual means of communication, and identification of the wearer as to his or her place in society. This fabulous ceremonial cloak embodies the essence of Yoruba culture art with an extraordinary richness of imagery.
On one side we see six rather large, stylized faces; three in a circle with grey backgrounds and three composed of a semi-circle in a blue setting. These probably are visual images of the inner head (ori inun), or spiritual power of the worshipper. In the center, against a brilliant red background, is a large black spider trimmed in yellow. Birds, fish and pure geometric designs complete the harmonious balance of form and shape.
Even more elaborate detail covers the other side. Most dominant is the figure of a man in turquoise with red eyes and 'horns' of black and white, holding with both hands two figures positioned at an angle. On either side are large mask-like faces in white, each with sharp, conical shape horns and bulging eyes in relief. Again, there are a total of six faces, four fish shapes and geometric boarders. Three small mirrors are positioned at the top center, and lower left and right, forming the points of a triangle. They may signify the 'dwelling' place of a particular deity or spirit. This 'religious' aspect is further heightened by the twelve sachets containing magical ingredients. Given these attributes, the owner of this cloak may have been an important priest of one of the major cults. The power of this cloak is truly beyond description, and must be seen to be fully appreciated.