Barakat Gallery
Skip to main content
  • Menu
  • Home
  • Artworks
  • Exhibitions
  • About
  • Contact
Menu
  • Menu

Open a larger version of the following image in a popup: Hanuman Repoussé Disc, 320 CE - 550 CE

Hanuman Repoussé Disc, 320 CE - 550 CE

Bronze
1.75
OF.048
Enquire
%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EHanuman%20Repouss%C3%A9%20Disc%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E320%20CE%20%20-%20%20550%20CE%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EBronze%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E1.75%3C/div%3E
The Gupta Period is widely regarded as a golden age in Indian history, both for its prosperity and the flourishing of the arts. Gupta kings were renowned for their religious...
Read more
The Gupta Period is widely regarded as a golden age in Indian history, both for its prosperity and the flourishing of the arts. Gupta kings were renowned for their religious toleration and both Hinduism and Buddhism thrived. This bronze roundel depicts the Hindu monkey deity Hanuman. Widely believed to be an incarnation of Shiva, Hanuman was the son of Anjana, a female vanara (literally a ‘human with the tail of a monkey’). He is most famous for his role in the Hindu epic, the ‘Ramayana’, in which he helps Rama to rescue his wife Sita from the demon king Ravana. In this capacity he represents the qualities of selfless service and loyalty. His earlier life was just as colourful and he was renowned for his mischievous and adventurous spirit. As a child he believed the sun to be a fruit and chased it in an attempt to eat it. He also plagued a community of religious devotees by continually rearranging their devotional aids. As a result the gods decided to tame Hanuman by removing his knowledge of his own powers. These were later rediscovered and used to great effect, especially the ability to grow larger or smaller at will.
This disc portrays Hanuman in the guise of a warrior, presumably alluding to his military victories on Rama’s behalf. The figure crouches on his right knee, with both arms raised and clutching a dagger. The head is viewed in profile, with the hair and teeth deeply incised. He wears a dhoti over his lower body with a wide and ornate sash around the waist. The design was cleverly arranged by the artist to fit a circular format. Small traces of a green patina on the bronze testify to the antiquity of this marvellous piece.
Close full details
Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Previous
|
Next
25 
of  126

London

48 Albemarle Street,

London, W1S 4JW

info@barakatgallery.eu 

 

       


 

CONTACT | TEAM | PRESS 

 

Seoul
58-4, Samcheong-ro,
Jongno-gu, Seoul
+82 02 730 1949
barakat@barakat.kr
             

 

Los Angeles

941 N La Cienega Blvd
Los Angeles CA 90069
+1 310 859 8408

contact@barakatgallery.com

  


 

 

Facebook, opens in a new tab.
Instagram, opens in a new tab.
Send an email
View on Google Maps
Manage cookies
Copyright © 2025 Barakat Gallery
Site by Artlogic


Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Join our mailing list

Sign Up

* denotes required fields