This is an exquisitely sculpted Tang stone torso of a seated Buddha. Seated on a pedestal, he places one hand on his lap, the other hand, although missing, is highly...
This is an exquisitely sculpted Tang stone torso of a seated Buddha. Seated on a pedestal, he places one hand on his lap, the other hand, although missing, is highly probably to form the abhaya mudra. The outer robe, known as the sanghati, covers both shoulders and descends in delicate folds, elegantly clinging and overlapping. This sculpture is coherent with the typical Tang style of richness and substantial physical presence. In Tang aesthetics, being chubby is an auspicious sign since it symbolises prosperity and material abundance. Applying this style to Buddhist sculptures reflect the innumerable good merit the deities have attained. An extraordinarily fine masterpiece, the sculpture is finely and naturally carved, with remarkable attention to details especially for the clothing. The marble has a seasoned yet smooth surface and an affirming presence due to its mass.