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Open a larger version of the following image in a popup: Pair of Tang Sculptures of Spirit Guardians, 618 CE - 906 CE
Open a larger version of the following image in a popup: Pair of Tang Sculptures of Spirit Guardians, 618 CE - 906 CE
Open a larger version of the following image in a popup: Pair of Tang Sculptures of Spirit Guardians, 618 CE - 906 CE

Pair of Tang Sculptures of Spirit Guardians, 618 CE - 906 CE

Painted Terracotta
14
H.755
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Originating during the Six Dynasties period (222-589 A.D.), this type of figure is known as a tomb guardian, for originally, a pair of such figures always stood guard at the...
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Originating during the Six Dynasties period (222-589 A.D.), this type of figure is known as a tomb guardian, for originally, a pair of such figures always stood guard at the tombs of Chinese rulers. Traditionally, both figures in the pair are mythological composite creatures, usually one an amalgamation various animals while the other combined of human and animal traits. These guardians are a general type of Chinese art known as . were any of a variety of objects specifically created for interment in the tombs of elite individuals in order to provide for the afterlife. These guardians were interred in order to ward off potential tomb robbers or evil spirits that might try to infiltrate the tomb. While just half of a pair, this guardian stands alone, revealing the exotic beauty of these fantastical creatures.
This pair is unusual in the fact that both figures are composite beasts without human characteristics. Both spirit guardians are quite similar in appearance, with clawed feet, long thin legs, broad shoulders, and snarling faces with recessed eyes and upturned noses. One of the figures features the bumps of his spine prominently along his back. Their fangs are clearly delineated, appearing as if dogs warding off an intruder. Both beasts have a tuft of hair that rises from the center of their heads as if a dancing flame. Very little of the polychrome paint that once covered these figures remains; extraordinary in itself considering the many centuries these works were entombed. Despite their intimidating appearance and fierce features, these beasts do not repel us as they would have frightened away tomb robbers during the T’ang Dynasty; instead, we are attracted to their aesthetic beauty and rich cultural history.
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