In 244 A.D., Ardeshir I founded the Sassanid Dynasty, the last native Persian Kingdom to rule Ancient Iran before the Islamic conquest. The Sassanid era was a golden age of...
In 244 A.D., Ardeshir I founded the Sassanid Dynasty, the last native Persian Kingdom to rule Ancient Iran before the Islamic conquest. The Sassanid era was a golden age of Persian culture that witnessed the revival of Zoroastrianism, an ancient mystical religion native to these lands, and a literary Renaissance spurred by the translation of many Old Persian epics recorded in cuneiform into the Middle Persian language of Pahlavi written in an alphabet derived from Aramaic. By introducing heightened international trade and commerce they created a legacy of political and economic diplomacy. They sponsored trade with the Romans (later on the Byzantines), their archenemy, to the west and the Chinese to the east. Excavations in China have unearthed gold and silver Sassanid coins covering a span of many centuries until the demise of the Empire during the reign of Khosrow II. However, the fall of the Empire had already started with a series of wars waged under the rule of Khosrow I, the father of Khosrow II. Challenged by the intensification of the same international commerce that had bore such wealth, struggles for national power and international prestige had escalated to an ungovernable degree. In the face of threats to his royal house, Khosrow II embarked upon military campaigns that would prove unsuccessful. By the close of his reign, the once mighty Sassanid Empire came to an end, paving the way for the rise of Islam in the Middle East.
Under the Sassanid dynasty, the Persian Empire achieved a glory and splendor that rivaled Rome’s. Drawing on the ancient lapidary tradition of the near east, Sassanid artisans created gems of bold and original iconography. This unusual seal is carved from hematite, a stone prized for its protective powers in battle and its effect on the blood. The gem depicts the noble features of a man surrounded by an inscription, perhaps his name. Beneath the chest are two widespread wings, which suggest this is a posthumous portrait, perhaps of a king. When we hold it today, we are aware of the touch of other hands, the energy of people who lived in a distant and exotic world, yet who were not unlike ourselves.