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Open a larger version of the following image in a popup: Yoruba Oba's Beaded Cushion, 20th Century CE
Open a larger version of the following image in a popup: Yoruba Oba's Beaded Cushion, 20th Century CE
Open a larger version of the following image in a popup: Yoruba Oba's Beaded Cushion, 20th Century CE
Open a larger version of the following image in a popup: Yoruba Oba's Beaded Cushion, 20th Century CE

Yoruba Oba's Beaded Cushion, 20th Century CE

Beads
14.25 x 7.5
PF.5005
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%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EYoruba%20Oba%27s%20Beaded%20Cushion%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E20th%20Century%20CE%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EBeads%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E14.25%20x%207.5%3C/div%3E

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During important ceremonies the seated Oba (king) rests his feet on a beaded cushion. Such cushions are essential parts of the royal regalia. This beautiful example is encircled with six...
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During important ceremonies the seated Oba (king) rests his feet on a beaded cushion. Such cushions are essential parts of the royal regalia. This beautiful example is encircled with six frontal abstract faces in brown-black, yellow-green and red-black, highlighted by white in each. These faces are either representations of the Oba's ancestors, or of various orisa (deities) 'unified' by the king. Colors are important as symbols; in this case green and yellow predominate and are associated with the deity Ifa (an intermediary between humans and higher gods). The rim of the top reveals the name of the Oba, while the internal design shows five interlaced loops with four flower shapes in between. These "loops" turn into flowers on the side panel separating the faces, and are partially hidden by leather tassels. The overall effect of the design pattern is an object of perfect balance and harmony, reflecting the Oba's traditional function as a cohesive force of his people.
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