This distinguished sculpture of a seated female was made by one of the groups of Coastal Nigeria known as the Lagoons peoples. It is a traditional rendering, with sectorial limbs, a columnar torso, sharply pointed breasts, a deep head, an ornate hairstyle and a seated posture (this varies). The face is minimal and serene, with a low profile nose, large eyes and a very small mouth. The wood is light in colour, and age is attested with patination, termite damage and wear.
The Lagoons people include about a dozen distinct groups, which are grouped into two main units (the Attye and the Ebrie), and are not usually confused with the Anyi, who are more influenced by local neighbours such as the Baule. Lagoons groups consider themselves to be distinct from one another except in cases of threat, when they combine. Their social structure is based upon a gerontocracy.
Artistically, they are defined by carvings of astonishing refinement, with exceptionally serene expressions and attenuated proportions. They usually have highly ornate hairstyles, keloid scarifications – rendered as removable plugs – and glossy patinas from usage. The figures were used by spiritual intermediaries to obtain information from the hereafter. There are also reports of highly gendered figures being used as spirit spouses, as in the Baule tradition. They are also said to have been display pieces at traditional dances, or awarded to excellent dancers and performers.
Lagoons pieces are amongst the most refined and desirable in Africa. This is a superb piece of African art.