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Open a larger version of the following image in a popup: Roman Bronze Sculpture of a Panther, 200 CE - 300 CE
Open a larger version of the following image in a popup: Roman Bronze Sculpture of a Panther, 200 CE - 300 CE
Open a larger version of the following image in a popup: Roman Bronze Sculpture of a Panther, 200 CE - 300 CE

Roman Bronze Sculpture of a Panther, 200 CE - 300 CE

Bronze
10.8 x 14.6 cm
4 1/4 x 5 3/4 in
X.0284
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This magnificent bronze sculpture of a panther and her young offspring is a masterpiece of Roman naturalism. Her ferocious head has been rendered in a fashion characteristic of Roman felines....
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This magnificent bronze sculpture of a panther and her young offspring is a masterpiece of Roman naturalism. Her ferocious head has been rendered in a fashion characteristic of Roman felines. Her brows are clenched together as she snarls, head held high in the air with fangs exposed. We can almost hear her mighty roar. Judging from this intimidating posture, we can assume she is attempting to defend herself and her offspring who stands at her side in a similar posture, as if mimicking the mother. Her body has been rendered with meticulous attention to detail such as her swollen teats, a sign that she has been recently feeding her young. In addition, the texture of her fur has been replicated by a series of wavy engraved lines. The panther was considered sacred to the god of wine, Bacchus. The fact that this panther wears a harness with an attachment loop behind the neck indicates that she was meant to draw the chariot of Bacchus during his triumphant return from Asia, a popular scene that was often depicted on sarcophagi during the Roman era.

For related examples compare:

Philippe Verdier, Ancient Bronzes: a Selection from the Heckett Collection, Pittsburgh, 1965, no. 75 (Sotheby, Parke Bernet, New York, May 21st, 1977, lot 57)

Robert Fleischer, Die römischen Bronzen aus Österreich, Mainz, 1967, no. 249, pls. 123-125.
David G. Mitten and Suzannah Doeringer, Master Bronzes from the Classical World, Cambridge, Massachusetts, 1967, p. 139, no. 142, and p. 290, no. 285.
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Provenance

J.J. Klejman, New York;

John Hewett, London

Sotheby's, The Sadler Collection Sale #l03505, Lot #67, 31 Oct 2003, London

Exhibitions

Sotheby's, New York, December 11th 1980, lot 205;

C.A. Picon, Classical Antiquities from Private Collections in Great Britain. A Loan Exhibition in Aid of the Ashmole Archive, Sotheby’s, London, 15th-31st January, 1986, no.62, pl. XV

Publications

PUBLISHED AND EXHIBITED

Sotheby's, New York, December 11th 1980, lot 205;

C.A. Picon, Classical Antiquities from Private Collections in Great Britain. A Loan Exhibition in Aid of the Ashmole Archive, Sotheby’s, London, 15th-31st January, 1986, no.62, pl. XV


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