A Mughal style crystal perfume bottle and stopper, 18th-19th Century CE
Rock crystal
height 8 cm
height 3 1/8 in
height 3 1/8 in
ES.8653
This pear shaped scent bottle has been finely decorated with floral sprays and foliage, incised using diamond drills and small lap wheels. The stopper also recalls the shape of a...
This pear shaped scent bottle has been finely decorated with floral sprays and foliage, incised using diamond drills and small lap wheels. The stopper also recalls the shape of a flower. The decoration of present bottle is a great example of the Mughal fascination for nature, as highlighted by the use of floral motifs in low relief. An example of a rock-crystal bottle of comparable shape and decoration isa Mughal rock-crystal vessel dated to the 17th Century is in the Metropolitan Museum of Art, New York (Acc. No. 1993.18), while other examples have been sold at Christie's (see Arts of India, 1 October 2012, lot 180).
The Mughal dynasty was founded in 1526 when Babur, a Central Asian Muslim prince, followed the example of his ancestor Timur (d.1405) and invaded the land he knew as Hindustan (the Indian subcontinent). Babur's languages were Turki, in which he wrote his memoirs, and Persian, the language of culture across Iran and Central Asia.
The "golden age" of Mughal art covered the period from about 1580 to 1650. Hindu and Muslim artists and craftsmen from the northern regions of the Indian subcontinent worked with Iranian masters in the the royal workshops. The combination of their different traditions and the technological and cultural transfer between different artisans resulted in a new distinctive style which included elements of all these different cultures.
Floral motifs were probably derived from European engravings, likely seen by the Mughal artists in Netherlandish Biblical prints brought to the court by Jesuits. Animals and plant motifs can also be found in the borders of contemporary paintings and on metalwork, highlighting a fundamental difference between artistic production in the Mughal empire and in Europe: as in Iran, Central Asia and the rest of the subcontinent, no distinction is made between so-called 'fine' and 'decorative' art.
Under the reign of Shah Jahan (1628-1658), hard stones carving reached its peak, especially using jade and rock-crystal. Vessels, wine cups, boxes and containers were produced with both materials and very often they were set with precious stones in gold.
The Mughal dynasty was founded in 1526 when Babur, a Central Asian Muslim prince, followed the example of his ancestor Timur (d.1405) and invaded the land he knew as Hindustan (the Indian subcontinent). Babur's languages were Turki, in which he wrote his memoirs, and Persian, the language of culture across Iran and Central Asia.
The "golden age" of Mughal art covered the period from about 1580 to 1650. Hindu and Muslim artists and craftsmen from the northern regions of the Indian subcontinent worked with Iranian masters in the the royal workshops. The combination of their different traditions and the technological and cultural transfer between different artisans resulted in a new distinctive style which included elements of all these different cultures.
Floral motifs were probably derived from European engravings, likely seen by the Mughal artists in Netherlandish Biblical prints brought to the court by Jesuits. Animals and plant motifs can also be found in the borders of contemporary paintings and on metalwork, highlighting a fundamental difference between artistic production in the Mughal empire and in Europe: as in Iran, Central Asia and the rest of the subcontinent, no distinction is made between so-called 'fine' and 'decorative' art.
Under the reign of Shah Jahan (1628-1658), hard stones carving reached its peak, especially using jade and rock-crystal. Vessels, wine cups, boxes and containers were produced with both materials and very often they were set with precious stones in gold.