This Achaemenid Spouted Jar truly testifies to the great artistic accomplishments of the craftsmen who operated at the Achaemenid Court, and in particular to the their outstanding achievements in metalwork. The body of the vase is decorated with semicircular grooves, reminding of the body of a Classical column, epitomising the great ability of Achaemenid artist to generate a synthesis between Eastern and Western elements in their production. The shoulder and neck of the vase are decorated with a series of concentric plain bands, with a thicker band of semicircular section on the neck being decorated with a diamonds pattern. The lip of the jar is decorated with a pattern of vertical lines. From the lip, two handles in the form of rams depart, their feet resting on the bely of the jar. The rams are lean and elegantly elongated, their twisted tails adding a sense of movement to the vase. The horns are exceptionally well crafted through torsion of a filament of metal with square section.

An interesting comparable is exhibited at Villa Getty (Malibu), accession number 86.AM.751, and is dated by the Getty Curators to c. 400 BC to 330 BC.

The Achaemenid Empire (ca. 550–330 BC) was founded by Cyrus the Great and by embracing various civilizations became the largest empire in ancient history, spanning during its maximum extend from the Balkans and Eastern Europe to the Indus Valley. It was an empire evidently progressive for its time, by adopting the hugely successful model of a centralised bureaucratic administration and by including a government working to the profit of its subjects, it progressively built an organised and efficient infrastructure which included the creation of a postal system, the construction of highways, the use of an official language across its territories and the employment of civil servants and of a large professional army. The Achaemenid animal-shaped rhyta are part of a continuity of a tradition stemming from the Iron Age. The use of precious metals to fabricate rhyta though was an example of the increasing significance of gold during the Achaemenid Empire. The affluence of the Royal Court allowed for the use of gold to create the rhyton, whereas most other rhyta were made from less valuable components. The wealth of the state made gold an appropriate material for the production of a vessel which was destined to be used during royal court libations.
A rhyton (plural rhyta) is a container from which fluids were intended to be drunk or to be poured during a cult ceremony. Similar in form to, and perhaps originating from, the drinking horn, it has been widespread over Eurasia since the prehistoric times. The conical rhyton form has been known in the Aegean region since the Bronze Age. However it was by no means confined to that region. It is worth mentioning that rhyta had already existed as an unquestioned symbol of luxury in the ancient Near and Middle East, discovered among the remains of civilizations speaking different languages from the second millennium BC. Rhyta were often shaped like animals' heads or horns and were very ornate, compounded with precious metals and stones.
The horn-shaped rhyton terminating in an animal's head was a particularly distinctive Achaemenid form. While a wide variety of styles and forms existed throughout the Achaemenid empire, because of its great size, the elegant, widely diffused horn-shaped rhyton became a favorite of an earlier official Achaemenid court style. In due course this type was eclipsed by animal-head rhyta. In fact, the animal protome rhyton may very well have come into vogue at some point during the first two decades of the 5th century BC., becoming hugely popular in gold and in silver. Rare examples in glass are also known. Later in Achaemenid period the rhytons with an animal head at the end of the vessel had the animal part of the rhyton transposed in the frontal part to a 90 degree angle in relation to the vessel itself. Thus the animal protome rhyton gradually became the elite hallmark symbol of a refined Achaemenid taste until the extinction of the Persian Empire by Alexander the Great.
Although vessels of this type are not depicted on the reliefs of Persepolis, they are shown in use on Greek vases of the late fifth century BC. The ancient Persian and Greek cultures did not exist in isolation between them and among the rest of the Mediterranean civilisations there was great artistic cross-fertilization. As the antagonism for power during the Greco-Persian Wars ended in a victory for the Greek side, a vast quantity of items in silver and gold were triumphantly brought to Athens, including numerous rhyta. Persian rhyta were immediately and largely imitated by Greek artists, especially ceramists. This miniature rhyton, in spite of it size, or very probably because of it, is a true masterpiece of the goldsmith art of its era.