Barakat Gallery
Skip to main content
Menu
Home
Artworks
Exhibitions
About
Contact
Menu
Menu
Babylonian Art
All
Masterpieces of Near Eastern Art
Achaemenid Art
Assyrian Art
Babylonian Art
Bactrian Art
Cuneiform Tablets
Elamite Art
Hittite Art
Luristan Art
Parthian Art
Sassanian Art
Scythian Art
Sumerian Art
Urartian Art
Near Eastern Bronze Age
Near Eastern Iron Age
Open a larger version of the following image in a popup:
Open a larger version of the following image in a popup:
Old Babylonian Moulded Plaque
,
2000 BCE - 1700 BCE
Terracotta
11.5 x 5.1 cm
4 1/2 x 2 in
LO.1218
Enquire
%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EOld%20Babylonian%20Moulded%20Plaque%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2000%20BCE%20%20-%20%201700%20BCE%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ETerracotta%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E11.5%20x%205.1%20cm%3Cbr/%3E%0A4%201/2%20x%202%20in%3C/div%3E
Further images
(View a larger image of thumbnail 1 )
(View a larger image of thumbnail 2 )
View on a Wall
The Old Babylonian period describes south Mesopotamia in the period about 2000-1600 BC. The early years saw a number of important states dominating the region: Isin, Larsa, Eshnunna and, from...
Read more
The Old Babylonian period describes south Mesopotamia in the period about 2000-1600 BC. The early years saw a number of important states dominating the region: Isin, Larsa, Eshnunna and, from 1894 BC, Babylon. Babylon was ruled by a dynasty of Amorite kings. The sixth ruler was Hammurapi, who defeated the other southern states and expanded his control into north Mesopotamia. On the death of Hammurapi the empire gradually shrank over about 150 years. Nonetheless, Babylon remained an important power until it was sacked by the Hittite king, Mursili I, in about 1595 BC. During the Old Babylonian period literary activity flourished with scribes composing and recording religious, poetic and 'scientific' works in Sumerian and Akkadian cuneiform. Perhaps the most famous monument is the stele of Hammurapi, now in the Musée du Louvre, Paris.
Ceramic plaques of this sort were mass-produced from moulds and represent a form of art available to a wide audience. The casting of plaques was a simple and inexpensive way to produce relief images, since numerous plaques could be made from a single mold. They have been excavated in temples as well as household shrines in private homes. Their subject matter varies widely, including religious images, mythological and erotic scenes, and representations of rulers and gods.
The long-bearded figure on this plaque carries a mace or scepter and wears a long vest and the round headdress of an Old Babylonian/Isin-Larsa ruler. His posture is erect and commanding, resembling that of Mesopotamian rulers of the Akkadian period on monumental relief sculpture. The mace held by this figure is often interpreted as a symbol of authority that has been invested by a higher power. Similar figures appear on cylinder seals, where they are usually depicted facing a suppliant goddess who intercedes with the gods on behalf of the seal owner. it is likely that this figure represents a king in ceremonial dress.
Close full details
Share
Facebook
Twitter
Pinterest
Tumblr
Email
Previous
|
Next
10
of 19
Manage cookies
Accept
Cookie preferences
Check the boxes for the cookie categories you allow our site to use
Cookie options
Strictly necessary
Required for the website to function and cannot be disabled.
Preferences and functionality
Improve your experience on the website by storing choices you make about how it should function.
Statistics
Allow us to collect anonymous usage data in order to improve the experience on our website.
Marketing
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close
Join our mailing list
First name *
Last name *
Email *
Sign Up
* denotes required fields